Excerpts from Beowulf and Nephi: A Literary View of the Book of Mormon by Robert E . Nichols , Jr.
Excerpts from part (1):
In all the wide world, past and present, there is no greater body of literature than that which we call English. And in all the annals of English literature, spanning thirteen centuries of impressive expression, no single matter has had greater impact on the creative genius than the life of Jesus Christ and the Biblical account of events surrounding that Life. ... triumphed in the ninth century with Cynewulf's Dream of the Rood. That matter suffused the Arthurian legendry of early Middle English, ... Thirteen centuries, thousands of stylists, trillions of words in billions of lines of verse and prose - all influenced by a single written source, the Bible, itself little larger than a good-sized novel. ...
... and given a century of literary art still fundamentally influenced by the same materials [in the Bible], ... viewed as an addendum to Scripture, the latter-day narrative [of the Book of Mormon] adds, at the very least, a provocative time-and-space dimension to Christian thought. Even viewed as an apocryphal tour de force, the work adds giant chunks of episodic adventure to Christian lore. ...
Note that Cynewulf's Dream of the Rood was written to make Christianity more acceptable to the Germanic peoples by presenting Jesus in a more masculine frame. For more details see The Germanization of Early Medieval Christianity: A Sociohistorical Approach to Religious Transformation by James C. Russell.
This is how I interpret the Book of Mormon, in that I see it being filtered through the author and translator Joseph Smith, who himself is of Germanic descent being British and Irish; and so the characters in the Book of Mormon represent that Germanic Anglo-Saxon vitality that Joseph Smith contained in his lineage and which I think came through in the text. The author of the article quoted herein, Robert E . Nichols , Jr., does not go into all of this on lineage but he does compare the Book of Mormon to the Germanic/Norse Beowulf in his analysis quoted below. The very fact that he reveals parallel heroic energy in both Nephi and Beowulf, is evidence to me of Germanic/Norse energy being filtered through the Germanic Joseph Smith in his characters in The Book of Mormon.
Excerpts from part (3):
... Lehi simply does not speak the language of his older children or his wife. Nor does he ever learn. ... He has obviously failed to convince Laman and Lemuel of the validity of his religious experience ... [Lehi insists] that he and his wife are not in a wilderness, for he has "obtained a land of promise." ... Lehi is a very human character. He is, of course, as Hugh Nibley has demonstrated, a product of a Heroic Age.[3] But his human traits make him readily identifiable with the domestically beleaguered patriarch in the life and letters of any age. He is today's well-to-do former businessman who turns, in early retirement and semi-retrenchment, to the religious avocation, an enigma to his wife and older children, who knew him during the pressure years as a hard-driving merchant.
By contrast, Nephi, equally a product of the same Heroic Age, is perhaps most clearly approached as a Book of Mormon figure, not through modern parallels, but through comprehension of his conduct as hero in the epic tradition, a tradition which, in Old English remnants, preserves Continental motifs dating into the pre-Christian era.
In that tradition, the hero displays certain typical physical propensities. Beowulf, a prime example, can wear thirty sets of armor; Nephi, even though "exceeding young, nevertheless [is] large in stature," so large as to elicit comment ment twice in an abridgment.
Beowulf is termed mankind's most powerful man, in his day; Nephi has "received much strength" and musters power to burst the bonds which bind his hands and feet, eluding destruction at the teeth of wild beasts. Beowulf possessess greater swimming endurance than any rival; Nephi, too, excels in the manly skills, such as hunting with the steel bow. Beowulf and Nephi both display undoubted personal courage, Beowulf in his combat with Grendel's Dam and Nephi in his daring impersonation of Laban. Both men are well-born, as genealogical references imply.
And both are quintessentially men of action, humorlessly dedicated to the pursuit of a righteous cause.
As a further facet of this tradition, the hero, imbued with an unshakeable sense of purpose, delivers a beot, or boast, affirming his prowess and confirming his resolution as the fateful enterprise looms near. Beowulf, preparing to meet the fearsome Grendel, proclaims:
I myself give no humbler tally in martial vigor than Grendel himself. Therefore, I will not kill him with sword, though I easily may. For, though he be renowned for battle, he knows not of such warfare as to strike against me, hewing my shield. But, if he dare seek hand-to-hand combat, tonight we two shall meet. And afterward the all-wise God, the holy Lord, will adjudge the glorious deed as He thinks proper, on whatever hand.
In a similar fashion Nephi, charged by Lehi to seek the Brass Plates of Laban, boldly announces:
I will go and do the things which the Lord hath commanded, for I know that the Lord giveth no commandments unto the children of men, save he shall prepare a way for them that they may accomplish the thing which he commandeth them.
Subsequently, Nephi, after some indecision, takes command of the band of brothers, strongly reminiscent of the Old English dright, or warrior band. Ever the intrepid individual, Nephi causes the band to "hide themselves without the walls," while he reconnoiters the city himself, a solitary emprise like the aged Beowulf's solo attack on the Dragon to shield his companions, though they too have a clear commitment. That commitment, in the Anglo-Saxon tradition, may be one of noble purpose - to support their captain in destroying the monster - but more frequently it is only the promise of gold, mercenary payment made by the drighťs leader, their ring-giver. Nephi's band, ostensibly, undertakes their raid for* a lofty cause - securing "the records which were engraven upon the plates of brass" - but before ever trying for the plates, they "gather together [their] gold, and [their] silver, and [their] precious things." Ancient battle poems show that neither gold nor lofty cause could keep a drighťs courage at the sticking point: The warriors needed to be harangued into perseverance, reminded of their obligations to the ring-giver and their ultimate rewards. In such a vein Nephi, facing his band's defection, harangues, "As the Lord liveth, and as we live, we will not go down unto our father in the wilderness, until we have accomplished the thing which the Lord hath commanded us." He reminds them of their debt to the Lord, the waiting treasure, the coming destruction of the city, and the wisdom of their cause. Emboldened by the harangue, though not without certain further backslidings, Nephi's dright see their mission through.
Nephi is well cast for the heroic mantle - he's built of the appropriate materials in the correct proportions, he has developed enviable capacities in the proper skills, and he does things when they need to be done. However, he is far more complex than most of his counterparts in the epics. As early as the Plates of Laban Aifair, for instance, Nephi reveals himself to be a logician of the first water. A typical young champion like Wiglaf may try to spur Beowulf's dright by reminding them of their debts and shouting, "Let us press on." But when the young Nephi makes the same exhortation, "Let us go up again unto Jerusalem," he supplies a triad of illustrations to prove that the dright should advance and to demonstrate that they will achieve victory unharmed. And with rhetorical insight, he thrice calls for action, utilizing the power of incremental repetition, and "they did follow [him] up until [they] came without the walls of Jerusalem." It is this same logician's demeanor (which later safeguards Nephi from his mutinous brothers) with which he "said many things unto [his] brethren, insomuch that they were confounded, and could not contend against [him]; neither durst they lay their hands upon [him], nor touch [him] with their fingers, even for the space of many days."
Such a bent of mind, such a capacity for confounding and converting opposition through logic and reason[4] and appeal to emotion, strongly differentiates Nephi as a personality from Lehi his father: Nephi is a persuader of the foremost magnitude. In the entrapment of Zoram, for example, Nephi displays discrimination of action and reflection, mastery at merging the physical man with the philosophical man, sagacity in selecting the deed or symbol of the deed. Seizing Zoram and holding him, "that he should not flee,"Nephi, who reemphasizes his physical advantage, could have dispatched the servant as easily as he had the master. Instead, Nephi "spake with him ... [saying] that if he would hearken unto our words, we would spare his life," adding the surety of an oath and the mystery of a riddle. Nephi, like Marlowe's Tamburlaine, grasps the fine distinction between the word and the sword.[4] And Zoram surrenders, even as Theridamas to Tamburlaine - "Won with thy words, and conquered with thy looks." It is undoubtedly this same persuasive acumen which softens "the heart of Ishmael, and also his household," bringing Ishmael's daughters into the wilderness as the brothers' wives. For in the young Nephi persuasion is "the fulness of [his] intent." And it remained ever thus, as witnessed in the old Nephi, who, looking back on his life's work a half-century later, concludes that "it persuadeth [men] to do good" (II Nephi 33:4).
Indeed, it is Nephi's search for a more persuasive personality which seems to mark a progression in his character as he ages. As a green youth, wearing brotherly concern almost like a badge, Nephi says, "Being grieved because of the hardness of their hearts, I cried unto the Lord for them."As a maturing young man, he sorrows in frustration: "My soul is rent with anguish because of you, and my heart is pained." And as an old man he grieves for his people, the badge turned suit of hair: "For I pray continually for them by day, and mine eyes water my pillow by night, because of them; and I cry unto my God in faith . . . ." At the end of his days, he mourns that he is not "mighty in writing, like unto speaking," for the speech, with the Spirit, can carry his message "unto the hearts of the children of men."
Nephi's disclaimer rebuts its own author and closes his work on Nephi's disclaimer rebuts its own author and closes his work on the note of light irony which often marks a writer's deathbed retractions.[5] His impatience with the weak esteem accorded the written word (II Nephi 33:2) is the sort one would expect from a man, like Nephi, who remains, at heart, closer to the active life than to the contemplative. Yet in his farewell he writes with rhetorical strength, capturing in the written word the moving quality of incremental repetition that had marked the spoken words of his long-ago harangue outside the walls of Jerusalem. In some measure, consciously yet unconsciously, he has bridged his imagined chasm between writing and speech:
I glory in plainness;
I glory in truth;
I glory in my Jesus,
For he hath redeemed my soul from hell.
I have charity for my people
And great faith in Christ
That I shall meet many souls
Spotless at his judgment-seat.
I have charity for the Jew;
I say Jew, because I mean them from whence I came.
I also have charity for the Gentiles. -
But behold,
For none of these can I hope,
Except they shall be reconciled unto Christ,
And enter into the narrow gate,
And walk in the straight path, which leads to life,
And continue in the path
Until the end of the day of
path
Until the end of the day of probation.[6]
The Book of Mormon is, as I have suggested, part of a great literary tradition, yet a part, for all its uniqueness, which has still not achieved primacy, neither in its own right nor in its influence on the arts. ...
In this analysis by Robert E . Nichols, Jr., I see the Book of Mormon as a form of Germanic or Anglo-Saxon literature that presents a version of Muscular Christianity. Why this makes the Book of Mormon psychologically valuable to me as a literary tool for promoting healthy masculinity, is that in my view it is a counteractive to some of the more emasculating aspects of the New Testament wherein traditional masculinity is often (though not always) replaced with an emphasis on men being celibate, pacifist, voluntary martyrs while willfully seeking lower status; as covered in books like Unmanly Men: Refigurations of Masculinity in Luke-Acts by Brittany E. Wilson and the early Christian martyrdom scholarship of Paul Middleton. To see how I deal with these "emasculating trends" in the New Testament but still find value in the New Testament as a phase and strategy of God see my website page here.